wikisingers Early Music Resource Group
Jun 29, 2008 Author: admin | Filed under: Entertainment & Arts, Performing Arts
A group for sharing links to online early music resources. For those who live far away from the big libraries and decent music shops and for those who wants to share tips with colleagues all over the world.
Links to webpages offering good music scores and facsimilies to download. Feel free to add other relevant information that might be helpful to performers in the field of early music. |
Online library sources
http://eebo.chadwyck.com (English music,needs EEBO)
http://gale.cengage.com/Ei ghteenthCentury/index.htm
http://www.shipbrook.com/j eff/bookshelf/index.html?sort=bytitle
http://www.kb.dk/da/nb/sam ling/ma/digmus/1700/
http://elib.tu-darmstadt.d e/ulb/fach/handschriften/mus_hs.htm?sid=a laqsvjvrw&mainfolder=Sonder
http://melledeguise.free.f r/charpentier.htm
http://aaswebsv.aas.duke.e du/wlscm/WLSCMcatalogue.html
http://pagesperso-orange.f r/bea.violedegambe/partitions.htm
http://pagesperso-orange.f r/tony.c/fretful/ViolPage.htm
http://www.cpdl.org/wiki/i ndex.php/Main_Page
http://www.lysator.liu.se/ ~tuben/scores/
http://icking-music-archiv e.org/
http://www.musik.uu.se/dub en/Duben.php
http://www.musicaviva.com
http://www.jpj.dk/coppini. htm
http://www.gallica.bnf.fr
http://www.upv.es/coro/vic toria/mas_partituras.html
http://www.digital.library .unt.edu/browse/department/music/jblc/ (Lully)
http://sitelully.free.fr
http://brassy.club.fr/Part Med/Cantigas/CSMIDI.html (cantigas)
Online music shops for early music
http://www.saulbgroen.nl/
http://www.baerenreiter.de
http://www.fuzeau.com
http://www.musikemoi.com
http://www.editionlilac.co m
http://www.urtexteditions. com
http://www.kings-music.co. uk
http://www.omifacsimiles.c om
http://www.ancientgroove.c o.uk
Larger Early Music Sites
http://www.earlymusic.net
http://www.btinternet.com/ ~earlymusic/nema/Links.htm
http://www.goldbergweb.com
http://www.baroquemusic.or g/index.html
http://www.academyofsaintc ecilia.com
Gutstring makers
http://www.stoppani.co.uk/ Real_Gut_Strings.htm
http://www.torostrings.it/ english/index.html
http://www.savarez.fr/
http://www.freewebs.com/ba roco/
http://gamutstrings.com/
http://www.kuerschner-sait en.de/
http://www.damianstrings.c om/
http://www.liuteria-antica .com/Universale_strings/index.html
http://www.baldock.de/
http://www.aquilacorde.com /
http://www.nrinstruments.d emon.co.uk/Guide.html
Instrumentmakers
http://www.lumi-strings.fi /markku
Performers
http://www.elinaase.no (soprano)
http://www.lucapiccioni.co m/en/ (lutenist,instrumentmaker)
http://www.concertobaroque .com
http://www.therenaissances ingers.com
Masterclasses
Competitions
http://www.handel.cswebsit es.org (Singing)
Auditions
Festivals
http://www.renaissancemusi k.dk
http://www.handel.cswebsit es.org (London)
http://www.bemf.org (Boston)
http://www.renaissancefest ival.com/
http://www.vestfoldfestspi llene.no/1265/Emne/Larvik_Barokk
Concert organizers / Agents
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100 Responses for "wikisingers Early Music Resource Group"
Hi Mark. I haven't checked CPL thoroughly. Why is it questionable? Bad editions or illegal editions?Elin
About CPDL… I wonder if Mark is referring to the inaccuracy of some of the files on there. While people have good intentions of producing clean transcriptions, there are frequently some incorrect notes. Frustrating for those of us that depend on public domain– but still an invaluable resource!
CPDL is a free resource that was a labor of love. It's a choral WIKI. I'm sure that if errors are found, the poster would appreciate the notice. It's important to remember that, however frustrating it may be.
As a contributor of almost 100 scores to CPDL, I can weigh in the the "questionability" issue. There are no more or no less errors than in printed editions, especially cheap PD reprint series such as Kalmus, Arista, etc.
Some errors are simply that - an erroneous slip of the mouse, a bug in the music notation program, etc., and some are just bad editors. You must always evaluate the editions and sources, and you must, especially in early music, not be beholden to the score as absolute Gospel. The music varied when it was originally composed and performed, according to the singers' tastes, directors' wants, et al.
If something seems wrong (i.e., ficta) change it. If something is a clear error (obvious wrong note, missing notes or text) please DO contact the editor. It can happen even that an error of some weird kind creeps up in the PDF generation. (to be cont'd)
(cont'd from previous post)
I have had my editions used in performance around the world and often am contacted by someone who has a question or concern, sometimes just to check if I mean that flat or sharp or to point out an apparent error. It is greatly helpful for the quality and integrity of one's work that we know if you have an issue with our edition or score. I have posted corrections, transposed editions for those who do not have Finale etc, all with happy heart and cheer. I have had the joy of receiving a CD in the mail from someone who has performed from one of my editions, possibly for the first modern performance of the work, certainly the case with an Allegri Mass and one of Mouton. Remember also, CPDL is not an individual but hundreds of editors, collectively sharing an enormous resource of thousands of scores. Errors are likely to appear and less than ethereal editors as well. I am proud of my contributions, however.
Would anyone like to suggest particularly well-loved CDs of JS Bach chorale preludes? Thanks!
CPDL is great–I would highly recommend it. Yes, you do need to look over the edition you are using and at times you will find some errors or you may disagree with some of the ficta. However, overall, I have found them to be no better or worse than 90% of the printed editions out there.
http://www.saulbgroen.nl/
It's a good site, and one of the best selections of early music I've ever seen!
Anybody in Singapore with a spare Hurdy-Gurdy he/she'd want to give away?
I love the sound of that instrument, but I'm thinking that it's only available in Europe… Is it?
I'm sorry I never contribute until today, I really think that this is one of the most informative club on the web,
and I make my congratulation to the owner and all you who contribute. Tank you all.
Hello everyone. My comment about "questionable CPDL," is just in response to the very annoying copyright laws, which basically say that I have to be copying from original source material in order to make my new editions. And although CPDL are "open source," they aren't always good as disclosing which public source material they used in creating their own editions. And, as some of you already mentioned, the bizarre ficta in some of the editions. Anyways, I haven't looked through the other posted links, but I really hope to find a way to obtain early music editions without waiting months to get it from Jon Dixon (JOED Publications), since he seems to refuse to modernize and get a website and email address going.
The vocal ensemble I run, The Renaissance Singers, has a clip from our last concert if you would like to hear it: http://www.therenaissancesingers. com/recordings
We are having problems with our webhosting, so I hope it works. Come back soon and you'll be able to see youtube clips.
Hi everyone! Does anybody know where I could buy a low priced harpsichord on the internet ? I live in Greece and it's kinda rare to find anything around here. Cheers!
Hi friends!!
I have just opened a group for TOMAR 2008!!
This is for everyone signed up for this years' course - and would be a fantastic forum for planning chamber music - Please post suggestions accordingly - NOW!!!
Click:
WELCOME!!!
Anyone know any glass armonica teachers?
¡THANK YOU! ¡THANK YOU FOR THIS GROUP!
Hey - dont miss Copenhagen Renaissance Music Festival 2008 - soon coming to a place near you (as long as you are in DK)!
Check: http://www.renaissancemusik.dk
His Majestys Sagbutts and Cornetts (currently performing in the USA) now has it's own wikisingers group - we'll be using it to send news of our activities etc. so if you're interested why not drop by!?
Hello, any advice for a 17 year old American student who does not play an instrument but who is very competent in theory, and who has a passion for early sacred music?
WOW, thanks for the library links–I can't believe that Uppsala is putting all of their manuscripts on-line!
http://www.concertobaroque.com
http://www.timeout.com/lon don/classical/events/76523 9/tickle-fiddle_gentlemen. html
Hi Mark. I haven't checked CPL thoroughly. Why is it questionable? Bad editions or illegal editions?Elin
About CPDL… I wonder if Mark is referring to the inaccuracy of some of the files on there. While people have good intentions of producing clean transcriptions, there are frequently some incorrect notes. Frustrating for those of us that depend on public domain– but still an invaluable resource!
CPDL is a free resource that was a labor of love. It's a choral WIKI. I'm sure that if errors are found, the poster would appreciate the notice. It's important to remember that, however frustrating it may be.
As a contributor of almost 100 scores to CPDL, I can weigh in the the "questionability" issue. There are no more or no less errors than in printed editions, especially cheap PD reprint series such as Kalmus, Arista, etc.
Some errors are simply that - an erroneous slip of the mouse, a bug in the music notation program, etc., and some are just bad editors. You must always evaluate the editions and sources, and you must, especially in early music, not be beholden to the score as absolute Gospel. The music varied when it was originally composed and performed, according to the singers' tastes, directors' wants, et al.
If something seems wrong (i.e., ficta) change it. If something is a clear error (obvious wrong note, missing notes or text) please DO contact the editor. It can happen even that an error of some weird kind creeps up in the PDF generation. (to be cont'd)
(cont'd from previous post)
I have had my editions used in performance around the world and often am contacted by someone who has a question or concern, sometimes just to check if I mean that flat or sharp or to point out an apparent error. It is greatly helpful for the quality and integrity of one's work that we know if you have an issue with our edition or score. I have posted corrections, transposed editions for those who do not have Finale etc, all with happy heart and cheer. I have had the joy of receiving a CD in the mail from someone who has performed from one of my editions, possibly for the first modern performance of the work, certainly the case with an Allegri Mass and one of Mouton. Remember also, CPDL is not an individual but hundreds of editors, collectively sharing an enormous resource of thousands of scores. Errors are likely to appear and less than ethereal editors as well. I am proud of my contributions, however.
Would anyone like to suggest particularly well-loved CDs of JS Bach chorale preludes? Thanks!
CPDL is great–I would highly recommend it. Yes, you do need to look over the edition you are using and at times you will find some errors or you may disagree with some of the ficta. However, overall, I have found them to be no better or worse than 90% of the printed editions out there.
http://www.saulbgroen.nl/
It's a good site, and one of the best selections of early music I've ever seen!
Anybody in Singapore with a spare Hurdy-Gurdy he/she'd want to give away?
I love the sound of that instrument, but I'm thinking that it's only available in Europe… Is it?
I'm sorry I never contribute until today, I really think that this is one of the most informative club on the web,
and I make my congratulation to the owner and all you who contribute. Tank you all.
Hello everyone. My comment about "questionable CPDL," is just in response to the very annoying copyright laws, which basically say that I have to be copying from original source material in order to make my new editions. And although CPDL are "open source," they aren't always good as disclosing which public source material they used in creating their own editions. And, as some of you already mentioned, the bizarre ficta in some of the editions. Anyways, I haven't looked through the other posted links, but I really hope to find a way to obtain early music editions without waiting months to get it from Jon Dixon (JOED Publications), since he seems to refuse to modernize and get a website and email address going.
The vocal ensemble I run, The Renaissance Singers, has a clip from our last concert if you would like to hear it: http://www.therenaissancesingers. com/recordings
We are having problems with our webhosting, so I hope it works. Come back soon and you'll be able to see youtube clips.
Hi everyone! Does anybody know where I could buy a low priced harpsichord on the internet ? I live in Greece and it's kinda rare to find anything around here. Cheers!
Hi friends!!
I have just opened a group for TOMAR 2008!!
This is for everyone signed up for this years' course - and would be a fantastic forum for planning chamber music - Please post suggestions accordingly - NOW!!!
Click:
WELCOME!!!
Anyone know any glass armonica teachers?
¡THANK YOU! ¡THANK YOU FOR THIS GROUP!
Hey - dont miss Copenhagen Renaissance Music Festival 2008 - soon coming to a place near you (as long as you are in DK)!
Check: http://www.renaissancemusik.dk
His Majestys Sagbutts and Cornetts (currently performing in the USA) now has it's own wikisingers group - we'll be using it to send news of our activities etc. so if you're interested why not drop by!?
Hello, any advice for a 17 year old American student who does not play an instrument but who is very competent in theory, and who has a passion for early sacred music?
WOW, thanks for the library links–I can't believe that Uppsala is putting all of their manuscripts on-line!
http://www.concertobaroque.com
http://www.timeout.com/lon don/classical/events/76523 9/tickle-fiddle_gentlemen. html
Hi Mark. I haven't checked CPL thoroughly. Why is it questionable? Bad editions or illegal editions?Elin
About CPDL… I wonder if Mark is referring to the inaccuracy of some of the files on there. While people have good intentions of producing clean transcriptions, there are frequently some incorrect notes. Frustrating for those of us that depend on public domain– but still an invaluable resource!
CPDL is a free resource that was a labor of love. It's a choral WIKI. I'm sure that if errors are found, the poster would appreciate the notice. It's important to remember that, however frustrating it may be.
As a contributor of almost 100 scores to CPDL, I can weigh in the the "questionability" issue. There are no more or no less errors than in printed editions, especially cheap PD reprint series such as Kalmus, Arista, etc.
Some errors are simply that - an erroneous slip of the mouse, a bug in the music notation program, etc., and some are just bad editors. You must always evaluate the editions and sources, and you must, especially in early music, not be beholden to the score as absolute Gospel. The music varied when it was originally composed and performed, according to the singers' tastes, directors' wants, et al.
If something seems wrong (i.e., ficta) change it. If something is a clear error (obvious wrong note, missing notes or text) please DO contact the editor. It can happen even that an error of some weird kind creeps up in the PDF generation. (to be cont'd)
(cont'd from previous post)
I have had my editions used in performance around the world and often am contacted by someone who has a question or concern, sometimes just to check if I mean that flat or sharp or to point out an apparent error. It is greatly helpful for the quality and integrity of one's work that we know if you have an issue with our edition or score. I have posted corrections, transposed editions for those who do not have Finale etc, all with happy heart and cheer. I have had the joy of receiving a CD in the mail from someone who has performed from one of my editions, possibly for the first modern performance of the work, certainly the case with an Allegri Mass and one of Mouton. Remember also, CPDL is not an individual but hundreds of editors, collectively sharing an enormous resource of thousands of scores. Errors are likely to appear and less than ethereal editors as well. I am proud of my contributions, however.
Would anyone like to suggest particularly well-loved CDs of JS Bach chorale preludes? Thanks!
CPDL is great–I would highly recommend it. Yes, you do need to look over the edition you are using and at times you will find some errors or you may disagree with some of the ficta. However, overall, I have found them to be no better or worse than 90% of the printed editions out there.
http://www.saulbgroen.nl/
It's a good site, and one of the best selections of early music I've ever seen!
Anybody in Singapore with a spare Hurdy-Gurdy he/she'd want to give away?
I love the sound of that instrument, but I'm thinking that it's only available in Europe… Is it?
I'm sorry I never contribute until today, I really think that this is one of the most informative club on the web,
and I make my congratulation to the owner and all you who contribute. Tank you all.
Hello everyone. My comment about "questionable CPDL," is just in response to the very annoying copyright laws, which basically say that I have to be copying from original source material in order to make my new editions. And although CPDL are "open source," they aren't always good as disclosing which public source material they used in creating their own editions. And, as some of you already mentioned, the bizarre ficta in some of the editions. Anyways, I haven't looked through the other posted links, but I really hope to find a way to obtain early music editions without waiting months to get it from Jon Dixon (JOED Publications), since he seems to refuse to modernize and get a website and email address going.
The vocal ensemble I run, The Renaissance Singers, has a clip from our last concert if you would like to hear it: http://www.therenaissancesingers. com/recordings
We are having problems with our webhosting, so I hope it works. Come back soon and you'll be able to see youtube clips.
Hi everyone! Does anybody know where I could buy a low priced harpsichord on the internet ? I live in Greece and it's kinda rare to find anything around here. Cheers!
Hi friends!!
I have just opened a group for TOMAR 2008!!
This is for everyone signed up for this years' course - and would be a fantastic forum for planning chamber music - Please post suggestions accordingly - NOW!!!
Click:
WELCOME!!!
Anyone know any glass armonica teachers?
¡THANK YOU! ¡THANK YOU FOR THIS GROUP!
Hey - dont miss Copenhagen Renaissance Music Festival 2008 - soon coming to a place near you (as long as you are in DK)!
Check: http://www.renaissancemusik.dk
His Majestys Sagbutts and Cornetts (currently performing in the USA) now has it's own wikisingers group - we'll be using it to send news of our activities etc. so if you're interested why not drop by!?
Hello, any advice for a 17 year old American student who does not play an instrument but who is very competent in theory, and who has a passion for early sacred music?
WOW, thanks for the library links–I can't believe that Uppsala is putting all of their manuscripts on-line!
http://www.concertobaroque.com
http://www.timeout.com/lon don/classical/events/76523 9/tickle-fiddle_gentlemen. html
Hi Mark. I haven't checked CPL thoroughly. Why is it questionable? Bad editions or illegal editions?Elin
About CPDL… I wonder if Mark is referring to the inaccuracy of some of the files on there. While people have good intentions of producing clean transcriptions, there are frequently some incorrect notes. Frustrating for those of us that depend on public domain– but still an invaluable resource!
CPDL is a free resource that was a labor of love. It's a choral WIKI. I'm sure that if errors are found, the poster would appreciate the notice. It's important to remember that, however frustrating it may be.
As a contributor of almost 100 scores to CPDL, I can weigh in the the "questionability" issue. There are no more or no less errors than in printed editions, especially cheap PD reprint series such as Kalmus, Arista, etc.
Some errors are simply that - an erroneous slip of the mouse, a bug in the music notation program, etc., and some are just bad editors. You must always evaluate the editions and sources, and you must, especially in early music, not be beholden to the score as absolute Gospel. The music varied when it was originally composed and performed, according to the singers' tastes, directors' wants, et al.
If something seems wrong (i.e., ficta) change it. If something is a clear error (obvious wrong note, missing notes or text) please DO contact the editor. It can happen even that an error of some weird kind creeps up in the PDF generation. (to be cont'd)
(cont'd from previous post)
I have had my editions used in performance around the world and often am contacted by someone who has a question or concern, sometimes just to check if I mean that flat or sharp or to point out an apparent error. It is greatly helpful for the quality and integrity of one's work that we know if you have an issue with our edition or score. I have posted corrections, transposed editions for those who do not have Finale etc, all with happy heart and cheer. I have had the joy of receiving a CD in the mail from someone who has performed from one of my editions, possibly for the first modern performance of the work, certainly the case with an Allegri Mass and one of Mouton. Remember also, CPDL is not an individual but hundreds of editors, collectively sharing an enormous resource of thousands of scores. Errors are likely to appear and less than ethereal editors as well. I am proud of my contributions, however.
Would anyone like to suggest particularly well-loved CDs of JS Bach chorale preludes? Thanks!
CPDL is great–I would highly recommend it. Yes, you do need to look over the edition you are using and at times you will find some errors or you may disagree with some of the ficta. However, overall, I have found them to be no better or worse than 90% of the printed editions out there.
http://www.saulbgroen.nl/
It's a good site, and one of the best selections of early music I've ever seen!
Anybody in Singapore with a spare Hurdy-Gurdy he/she'd want to give away?
I love the sound of that instrument, but I'm thinking that it's only available in Europe… Is it?
I'm sorry I never contribute until today, I really think that this is one of the most informative club on the web,
and I make my congratulation to the owner and all you who contribute. Tank you all.
Hello everyone. My comment about "questionable CPDL," is just in response to the very annoying copyright laws, which basically say that I have to be copying from original source material in order to make my new editions. And although CPDL are "open source," they aren't always good as disclosing which public source material they used in creating their own editions. And, as some of you already mentioned, the bizarre ficta in some of the editions. Anyways, I haven't looked through the other posted links, but I really hope to find a way to obtain early music editions without waiting months to get it from Jon Dixon (JOED Publications), since he seems to refuse to modernize and get a website and email address going.
The vocal ensemble I run, The Renaissance Singers, has a clip from our last concert if you would like to hear it: http://www.therenaissancesingers. com/recordings
We are having problems with our webhosting, so I hope it works. Come back soon and you'll be able to see youtube clips.
Hi everyone! Does anybody know where I could buy a low priced harpsichord on the internet ? I live in Greece and it's kinda rare to find anything around here. Cheers!
Hi friends!!
I have just opened a group for TOMAR 2008!!
This is for everyone signed up for this years' course - and would be a fantastic forum for planning chamber music - Please post suggestions accordingly - NOW!!!
Click:
WELCOME!!!
Anyone know any glass armonica teachers?
¡THANK YOU! ¡THANK YOU FOR THIS GROUP!
Hey - dont miss Copenhagen Renaissance Music Festival 2008 - soon coming to a place near you (as long as you are in DK)!
Check: http://www.renaissancemusik.dk
His Majestys Sagbutts and Cornetts (currently performing in the USA) now has it's own wikisingers group - we'll be using it to send news of our activities etc. so if you're interested why not drop by!?
Hello, any advice for a 17 year old American student who does not play an instrument but who is very competent in theory, and who has a passion for early sacred music?
WOW, thanks for the library links–I can't believe that Uppsala is putting all of their manuscripts on-line!
http://www.concertobaroque.com
http://www.timeout.com/lon don/classical/events/76523 9/tickle-fiddle_gentlemen. html
Hi Mark. I haven't checked CPL thoroughly. Why is it questionable? Bad editions or illegal editions?Elin
About CPDL… I wonder if Mark is referring to the inaccuracy of some of the files on there. While people have good intentions of producing clean transcriptions, there are frequently some incorrect notes. Frustrating for those of us that depend on public domain– but still an invaluable resource!
CPDL is a free resource that was a labor of love. It's a choral WIKI. I'm sure that if errors are found, the poster would appreciate the notice. It's important to remember that, however frustrating it may be.
As a contributor of almost 100 scores to CPDL, I can weigh in the the "questionability" issue. There are no more or no less errors than in printed editions, especially cheap PD reprint series such as Kalmus, Arista, etc.
Some errors are simply that - an erroneous slip of the mouse, a bug in the music notation program, etc., and some are just bad editors. You must always evaluate the editions and sources, and you must, especially in early music, not be beholden to the score as absolute Gospel. The music varied when it was originally composed and performed, according to the singers' tastes, directors' wants, et al.
If something seems wrong (i.e., ficta) change it. If something is a clear error (obvious wrong note, missing notes or text) please DO contact the editor. It can happen even that an error of some weird kind creeps up in the PDF generation. (to be cont'd)
(cont'd from previous post)
I have had my editions used in performance around the world and often am contacted by someone who has a question or concern, sometimes just to check if I mean that flat or sharp or to point out an apparent error. It is greatly helpful for the quality and integrity of one's work that we know if you have an issue with our edition or score. I have posted corrections, transposed editions for those who do not have Finale etc, all with happy heart and cheer. I have had the joy of receiving a CD in the mail from someone who has performed from one of my editions, possibly for the first modern performance of the work, certainly the case with an Allegri Mass and one of Mouton. Remember also, CPDL is not an individual but hundreds of editors, collectively sharing an enormous resource of thousands of scores. Errors are likely to appear and less than ethereal editors as well. I am proud of my contributions, however.
Would anyone like to suggest particularly well-loved CDs of JS Bach chorale preludes? Thanks!
CPDL is great–I would highly recommend it. Yes, you do need to look over the edition you are using and at times you will find some errors or you may disagree with some of the ficta. However, overall, I have found them to be no better or worse than 90% of the printed editions out there.
http://www.saulbgroen.nl/
It's a good site, and one of the best selections of early music I've ever seen!
Anybody in Singapore with a spare Hurdy-Gurdy he/she'd want to give away?
I love the sound of that instrument, but I'm thinking that it's only available in Europe… Is it?
I'm sorry I never contribute until today, I really think that this is one of the most informative club on the web,
and I make my congratulation to the owner and all you who contribute. Tank you all.
Hello everyone. My comment about "questionable CPDL," is just in response to the very annoying copyright laws, which basically say that I have to be copying from original source material in order to make my new editions. And although CPDL are "open source," they aren't always good as disclosing which public source material they used in creating their own editions. And, as some of you already mentioned, the bizarre ficta in some of the editions. Anyways, I haven't looked through the other posted links, but I really hope to find a way to obtain early music editions without waiting months to get it from Jon Dixon (JOED Publications), since he seems to refuse to modernize and get a website and email address going.
The vocal ensemble I run, The Renaissance Singers, has a clip from our last concert if you would like to hear it: http://www.therenaissancesingers. com/recordings
We are having problems with our webhosting, so I hope it works. Come back soon and you'll be able to see youtube clips.
Hi everyone! Does anybody know where I could buy a low priced harpsichord on the internet ? I live in Greece and it's kinda rare to find anything around here. Cheers!
Hi friends!!
I have just opened a group for TOMAR 2008!!
This is for everyone signed up for this years' course - and would be a fantastic forum for planning chamber music - Please post suggestions accordingly - NOW!!!
Click:
WELCOME!!!
Anyone know any glass armonica teachers?
¡THANK YOU! ¡THANK YOU FOR THIS GROUP!
Hey - dont miss Copenhagen Renaissance Music Festival 2008 - soon coming to a place near you (as long as you are in DK)!
Check: http://www.renaissancemusik.dk
His Majestys Sagbutts and Cornetts (currently performing in the USA) now has it's own wikisingers group - we'll be using it to send news of our activities etc. so if you're interested why not drop by!?
Hello, any advice for a 17 year old American student who does not play an instrument but who is very competent in theory, and who has a passion for early sacred music?
WOW, thanks for the library links–I can't believe that Uppsala is putting all of their manuscripts on-line!
http://www.concertobaroque.com
http://www.timeout.com/lon don/classical/events/76523 9/tickle-fiddle_gentlemen. html
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